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Half went to purchasing the trailer, half to decorating it. Connie and Raymond's car belonged to a jive-talking black man that John Waters met during pre-production in Baltimore. There was a "Revenge On Cookie" subplot, cut from the final film. David Lochary and Mink Stole designed and colored their own hair for the film.

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When Connie and Raymond call the police to break up Divine's birthday party, Raymond gives the police real directions, which would have easily guided real police or anyone else, for that matter to the site of the trailer. I'm more into his films which satire suburban normalcy, like "polyester". He wanted to go over the top, and that he did. Ok, you wussies, watch this video.. The first time I saw this movie I laughed so hard I threw up on my sister's coffee table. M all of themm are my favorites too. Elizabeth Coffey Chick with a Dick was a pre-op male-to-female transexual who had already undergone hormone therapy to develop breasts and female features at the time of filming.

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I'm feelin you on this, taking an animal's life for film is not necessary. When Raymond and Connie Marble's manservant is beating off into his hand so as to impregnate the women kept chained in the basement. I was NOT high when I made it. I was about 19 and my sister was 15 I don't know what possessed us to borrow these movies, we saw a few of them - female trouble and pink flamingoes amongst them, maybe we started with Cry Baby and Hairspray, and worked our way backwards. The work print was in effect the master copy. Their foe in this film is Vera Venninger, Connie Marble's sister, and her husband, Wilbur, a necrophile who runs a mortuary. In exchange for using the car, Waters attempted to work the man into some scenes he made up on set, where Connie would talk to a magic mirror and say, "Mirror, mirror, on the wall, who is the filthiest of them all.

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Description: To this day, Waters tries to justify that scene by saying they ate the chickens afterwards so it was all part of the food chain and the birds died for art. Director John Waters wrote a sequel to this film, entitled "Flamingos Forever". The dog feces in the infamous final scene are real. A town on Long Island, New York banned the film altogether. Half went to purchasing the trailer, half to decorating it. The rectum "lip syncing" The Surfing Bird.
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